Sinister Sites – Rockefeller Center

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Sinister Sites – Rockefeller Center

Feb 21st, 2009 | By Vigilant | Category: Sinister Sites

“How can the site of the most famous skating rink in the world be considered sinister? You know the one that’s in all romantic comedies…the best first date activity ever!? And what about that huge Christmas tree that we see in ALL holiday movies? That’s not sinister, that’s magical!”.

If that’s what you’re thinking right now, you should probably press pause on your “You’ve Got Mail” Deluxe Edition DVD and read on. If you’re not surprised that a center called “Rockefeller” contains tons of occult and even luciferian symbolism, as well as references to a New World Order, then you should also read on because I will reinforce what you’re already thinking, and everybody likes that.

This complex of 19 commercial buildings is situated between Fifth and Seventh avenues in New York City and is famous for its Art Deco style. It is one of the last building projects in the United States to have incorporated a program of public art. The submissions chosen all fit a particular philosophy and some artists have been asked to change their work so it fits the theme of the Rockefeller center which is: Luciferianism.

Luciferianism

The Devil—Lucifer—is a force for good (where I define ‘good’ simply as that which I value, not wanting to imply any universal validity or necessity to the orientation). ‘Lucifer’ means ‘light-bringer’ and this should begin to clue us in to his symbolic importance. The story is that God threw Lucifer out of Heaven because Lucifer had started to question God and was spreading dissension among the angels. We must remember that this story is told from the point of view of the Godists (if I may coin a term) and not from that of the Luciferians (I will use this term to distinguish us from the official Satanists with whom I have fundamental differences). The truth may just as easily be that Lucifer resigned from heaven.
-Max More

Modern Luciferianism takes its roots from Gnostic teachings as well as ancient Egyptian and Babylonian paganism. God of the material world is seen as a stubborn and sadistic figure who seeks to keep mankind into perpetual darkness while Lucifer is the savior of humanity by giving it the gift of knowledge. If we reinterpret the Adam and Eve story through Luciferian glasses, the serpent is actually the “undercover savior” who defied God and gave humans the opportunity to become gods themselves. He is credited to have unleashed man’s awesome potential.

“Luciferianism represents a radical revaluation of humanity’s ageless adversary: Satan. It is the ultimate inversion of good and evil. The formula for this inversion is reflected by the narrative paradigm of the Gnostic Hypostasis myth. As opposed to the original Biblical version, the Gnostic account represents a “revaluation of the Hebraic story of the first man’s temptation, the desire of mere men to ‘be as gods’ by partaking of the tree of the ‘knowledge of good and evil’”
-Raschke 26

Luciferians seek during their lifetime to reach a higher level of being by obtaining illumination (often represented by a torch). An illuminated person or (illuminatus) has gained enough mystic knowledge and spiritual attainment to reach a god-like status. Ancient Mystery religion promise the

“opportunity to erase the curse of mortality by direct encounter with the patron deity, or in many instances by actually undergoing an apotheosis, a transfiguration of human into divine“.
-Raschke 26

Luciferians do not necessarily worship “the Devil” as a metaphysical entity. Lucifer symbolizes the cognitive powers of man, its potential to reach godliness by its own means. Luciferians believe that those attributes will eventually dethrone God and bring humans to their rightful place, as deities. This doctrine is fully embodied by humanism and its technological counterpart transhumanism. Clothed in an acceptable phrasing inside a judeo-christian context (”humanist” sounds less threatening and evil than “luciferian”), these philosophies are now part of popular culture. Through technological advancements and scientific breakthrough, extremely wealthy figures like Ray Kurzweil are publicly seeking to reach technological immortality. Transhumanist intellectual Max More has stated in his essay:

God, being the well-documented sadist that he is, no doubt wanted to keep Lucifer around so that he could punish him and try to get him back under his (God’s) power. Probably what really happened was that Lucifer came to hate God’s kingdom, his sadism, his demand for slavish conformity and obedience, his psychotic rage at any display of independent thinking and behavior. Lucifer realized that he could never fully think for himself and could certainly not act on his independent thinking so long as he was under God’s control. Therefore he left Heaven, that terrible spiritual-State ruled by the cosmic sadist Jehovah, and was accompanied by some of the angels who had had enough courage to question God’s authority and his value-perspective.

Lucifer is the embodiment of reason, of intelligence, of critical thought. He stands against the dogma of God and all other dogmas. He stands for the exploration of new ideas and new perspectives in the pursuit of truth.
-Max More

So, what does all of this have to do with the Rockefeller Center? The sculptures, the bas reliefs and the murals all refer the same theme: the triumph of Man over God through the acquisition of knowledge.

Prometheus Fountain

This statue depicts Prometheus, a Titan of Greek mythology known for his great intelligence. He has however betrayed the god Zeus by stealing fire and giving it to mankind. He therefore credited to have taught mankind the arts of civilization such as writing, mathematics, agriculture, medicine, and science. Zeus then punished Prometheus for his crime by having him bound to a rock while a great eagle ate his liver every day only to have it grow back to be eaten again the next day.

Prometheus [the name means Forethought] was a not a fool, but why else would he rebel against Zeus? He tried to trick Zeus (who knows all and sees all) with a false sacrifice. How foolish can you get? Prometheus also stole fire from Zeus and gave it to the primitive mortals on the earth. Zeus did not punish Prometheus alone, he punished the entire world for the effrontery of this rebel god.
-Stewart

The Judeo-Christian equivalent of this myth is Lucifer, who has brought the gift of consciousness to humanity, as the serpent in Adam and Eve.

Prometheus	Lucifer
Blessed with great intelligence	Blessed with great intelligence
Saw great potential in mankind	Saw great potential in Adam and Eve
Defied Zeus’ authority	Defied God’s authority
Called the “Fire Bringer”	Called the “Light Bringer”
Severly punished by Zeus (tied up and had liver eaten by eagle daily)	Severly punished by God (expelled from the Heavens)
Humanity suffered the wrath of Zeus	Humanity suffered the wrath of God

Prometheus is the Hellenic equivalent of the Judeo-Christian Lucifer and is often used as the symbol of enlightenment.

Some classically-educated Free Masons and those inspired by their work used “luciferian” in the scholarly sense of “bringing enlightenment”, invoking Prometheus who stole fire from the gods to bring to man. Polemicists linked such Masonic usage with sects worshiping Lucifer, which have had persistent groups of followers since the Middle Ages.
-Wikipedia

Paul Manship’s sculpture featured in the Sunken Plaza of the Rockefeller Center portays Prometheus holding the fire stolen from Zeus and gliding towards humanity. He lies inside a ring in which are outlined the signs of the Zodiac. Behind the statue is an inscription saying:

“Prometheus, teacher in every art, brought the fire that hath proved to mortals a means to mighty ends.”

“Mighty ends” means reaching enlightenment and acheiving godliness. This artwork basically sums up the Luciferian doctrine and acts as the central figure around which the Rockefeller Center’s art program revolves around.

Prometheus’ Creations

Flanking the statue of Prometheus are Youth and Maiden. These are the first humans created by from Prometheus out of clay.

This is the setting: Prometheus (aka the Hellenic Lucifer) is located at the center of the Sunken Plaza and is flanked by his creation, mankind. In other words, we are Prometheus’ sons and daughters.

Urizen or the Demiurge

On top of the entrance of the GE Building is this impressive Art Deco frieze. It depicts a bearded man holding a huge compass and a quote from the Book of Isaiah. This is a direct reference to William Blake’s “Urizen” engravement, where God is a bearded man holding a compass.

This image is featured in Blake’s “Book of Urizen”, released in 1794. This obscure English author is known for his rich mythology, cryptic poems and prophetic imagery. This particular piece represents Urizen, the god of the material world. His traits are almost identical of the Gnostic god called “demiurge”, an inferior creator deity, who built a flawed world which imprisons man into the material realm. The Book of Urizen reflects the basic tenants of luciferianism, where the Good versus Evil struggle as described and Judeo-Christian philosophies are inverted.

“Blake’s work is thus an unprecedented and confounding critique of the very cornerstones of Judeo-Christian civilization: the Word and the Law. Evil is traditionally represented as a turning away from the one or the other – from Satan’s non servatim to the eating of the “forbidden fruit”, but here the Word and the Law are literally presented as manacles closing away the boundless possibility of the universe to the dull prison of the senses and the holy books. Science and religion cease to be opposing forces in Blake’s understanding, instead becoming obstacles to true knowledge – one by binding sight in the laws of the material universe, the other by binding thought in the words of the holy books. In this sense, the only possible “Good” as far as Blake is concerned, is the rebellion of sight – growing to see multiple possibilities through ecstatic vision. For Blake this probably meant mystical and artistic gnosis, but intellectually it can be applied to all kinds of pluralist, multilateral thinking, if not to literal “mind-expansion”.
-Daniil Leiderman

The Gnostic god featured at the entrance of GE building holds a huge compass which is used as a tool of creation. We find here a not-so-subtle reference to Freemasonry, where the compass is used by the “Great Architect” to shape the physical world.

Under Urizen we find the quote from the Book of Isaiah:

“Wisdom and knowledge shall be the stability of thy times“.
- Book of Isaiah 33:6

The book of Isaiah as a whole contains prophecies of future times, predicting the fall and punishment of Babylon (both ancient and future “Babylon the Great”). The quoted verse describes what will sustain people in these prophesied times of great tribulations: knowledge and wisdom. Isaiah’s cryptic text describes a time where “nobody in Jerusalem shall be ill”, seemingly referring to times where science and technology would be advanced enough to cure man’s sickness. In this context, the “great tribulations” refer to the coming of a New World Order, where all countries would be united under a single world government, an admitted goal of the Rockefeller family.

Swords into Plowshares

This relief refers to Isaiah 2:4 and depicts swords turning into plowshares. Here is the biblical verse:

He will judge between the nations
and will settle disputes for many peoples.
They will beat their swords into plowshares
and their spears into pruning hooks.
Nation will not take up sword against nation,
nor will they train for war anymore.
-Isaiah 2:4

Again, this is a subtle yet very direct allusion to a New World order. The verse describes a whole with one court for all nations, one government for all nations and the coming of an era of world peace. The image of swords being beaten into plowshares is also prominently shown on one of the New World Order murals of the Denver International Aiport. Members of the Rockefeller family have always been actors working towards a one world government and it is not surprising to find references to this plan etched on their buildings. David Rockeller stated in his memoirs

“For more than century, ideological extremists at either end of the political spectrum have seized upon well-publicized incidents to attack the Rockefeller family from the inordinate influence they claim we wield over American political and economic institutions. Some even believe we are part of a secret cabal working against the best interests of the United States, characterizing my family and me as “internationalists” and of conspiring with others around the world to build a more integrated global political and economic structure – one world if you will. It that’s the charge, I stand guilty, and I am proud of it”.
-Memoirs, David Rockefeller p.405

Question is: were they already aware of a plan for a New World Order in the 1930’s, when the Plaza was built? Answer: Yes, yes they were. The idea isn’t new at all.

Atlas

Guess why Atlas has been forced to carry the celestial world on his shoulders? Because he defied Zeus the god. The north-south axis of the armillary sphere on his shoulders points to the North Star as viewed from New York City. Laid across Atlas’s shoulders is a wide, curved beam that displays a frieze of the traditional symbols for Mercury, Venus, Earth, Mars, Jupiter, Saturn, Uranus, and Neptune. Adjacent to Earth (over Atlas’s right forearm) is a small crescent symbolizing the Moon. Affixed to one of the sphere’s rings are symbols for twelve constellations through which the Sun passes during the year.

This sculpture can be described as a luciferian equivalent of Christ nailed to the cross. Atlas is sacrificing himself for his act of defiance against the gods.

The sculpture has caused its fair share of controversy. First, the nude and pagan statue was placed right in front of St.Patrick’s Church, which wasn’t well accepted at the times. Second, from behind, the statue looks like crucified Jesus Christ.

Finally, Lee Lawrie has been accused of modeling Atlas face after Italian fascist dictator Benito Mussolini, who was in power at the time.

The same way Atlas defied Zeus in Mythology, the sculpture defies Christianity and even democracy in New York city.

Other Stuff

The Rockefeller Center is full of impressive bas-reliefs, murals and sculptures, with plenty of symbolism and imagery. If you go visit the place, you will probably see many other details I’ve missed (feel free to send them to me). It is impossible to review in depth everything on display but I will leave you with some interesting pieces you can investigate yourself. Notice the Babylonian/Egyptian influence, the omnipresence of the torch of illumination and the occult symbols scattered throughout the site.

Mural representing thought as a godly figure sending its gift to man and the fate of the ignorant:

Under the wings of the torch of Illumination:

Columbia holding a cup of Divine knowledge:

These spiders have appeared in numerous sites across the world. They supposedly represent motherhood. I think they represent the dark forces preying over the masses. Take your pick.

To Conclude

The collection of artworks on display at the Rockefeller Center communicate a cohesive message that can be deciphered by analyzing the cultural and mystical references behind the symbols. The art program as a whole applauds an emancipation from the inferior god, celebrates the mythological figures who have been defiant of god’s rule and glorifies Man’s quest to achieve godliness. Mankind’s progress in arts and science considered to have been acheived DESPITE God, making the Rockefeller Centre a virtual temple of worship for the Luciferian doctrine.

Luciferianism constitutes the nucleus of the ruling class religion. It accounts for the longevity of many of the oligarch’s plans, i.e. the New World Order. This plan has been discussed for centuries now (documents prove it) and many political decisions are made to lead towards it. Luciferianism provides the world elite the religious legitimacy to carry out plans that would otherwise be morally questionable or simply condemnable. The elite however believe that divine knowledge can only be acquired by deserving people while the rest of the population must stay in a state of mindless stupor. That is probably why the unsuspecting masses come every year to celebrate Christmas in this Luciferian temple without even realizing it. While the Rockefeller Center celebrates man’s triumph over God’s tyranny, it also celebrates the Illuminati’s tyranny over the ignorant man.

Longa Caminhada para a Noite

Neste blogue praticam-se a Liberdade e o Direito de Expressão próprios das Sociedades Avançadas

Imagem do KAOS

Há dias acordei com o filme completamente desenhado na cabeça. Passou-se o dia, e esqueci-me do que queria escrever. Isto encantaria Borges, mas, para mim, é só o fragmento de uma espantosa coisa perdida.

Há o Polvo e há os tentáculos.

Durante várias semanas, desmontámos aqui o Polvo, e hoje deu-se o primeiro... incidente. Ao ouvir aquela figura lúgubre, que os militares já deveriam ter detido há muito tempo, Vítor Cosntâncio, pela primeira vez escutei, de viva voz, e em directo, uma pequena lasca da autópsia do que diariamente se passa nos bastidores. Fiquei com a sensação de que, para o que o cavalheiro ousasse despejar aquele saco do BPN, para proteger o seu lugar, é porque, por detrás, estariam coisas gigantescamente mais sinistras, e deixo à vossa imaginação construí-las. A mim... não me apetece.

Os tais patamares de liquidez de 4%, 6%, 7%, ou 8%, ainda abaixo dos generosos 10%, que, em tempos, aqui colocámos, infantilmente explicativo do Sistema de Usura Mundial, querem tão-só dizer, em trocos explicativos às criancinhas, que, se, de repente, como amanhã de manhã, com a abertura dos Bancos sob suspeita, o cidadão comum resolvesse comparecer, em massa, para retirar as suas supostas "economias", só, respectivamente 4, 6, ou 7 em cada 100 Portugueses o conseguiria fazer, porque a Corja que criou o Sistema -- e relembro que Ezra Pound, uma das maiores vozes poéticas do séc. XX, foi pendurado numa jaula suspensa (!), pelos Americanos, no final da II Grande Guerra, por justamente ter preconizado o que eu estou agora a escrever agora aqui... -- tanto falsificou números, fabricou papel sem valor, e fez tudo assentar na "confiança" dos discursos, que, digo eu, só 4, 6, ou 7 em cada 100 Portugueses poderiam realmente ter acesso ao dinheiro que julgam possuir.

No caso do BPN, são presentemente, ZERO, em cada 100 Portugueses, mas não se alarmem, porque há figuras que apelam à serenidade, Constâncio, que já deveria estar preso, e o Pargo das Finanças, que, no mínimo, deveria estar demitido desde que foi nomeado.

Isto é só um pequeníssimo sobressalto: o mais sinistro está oculto na noite escura, e eu hoje vou um pouco, só um pouco, pela noite escura adentro.

O problema chama-se Ficção dos Números, e gera uma neurose específica, que é a necessidade compulsiva, de, de quando em vez, pensar que um dia esses números fictícios poderão ter de se revelar em espécies palpáveis. A sua impossibilidade gera insónias, ou Monstros, como Goya premonizou, ou gera ambos, como os nossos dias revelam.

No princípio era o ciclo vicioso das casas e dos bancos: o banco avaliava a casa, que era uma merda, um monte de pó e armaduras de ferro, por um preço empolado. Na sociedade, com o Canto do Canarinho, e a melodia do politicamente correcto, cada casal era empurrado, pelos Meios de Intoxicação Social, a sentir necessidade de fazer o seu "ninho", e esse "ninho" custava-lhe, primeiro, 20, depois 30, depois 40, e, quando a coisa entrou assumidamente pela fase barroca, 50 anos da sua vida.

Hoje em dia, vive-se mal e rápido, e morre-se cedo, pelo que já se anunciava uma Dona Branca de gravata: uma hipoteca para o resto da vida, sobre um subproduto hipervalorizado, com a dupla complacência de construtores e avaliadores.

No tempo do meu pai, isso chamava-se Associação Criminosa; no meu, tem um nome pior, que não ouso pôr aqui...

Subitamente, a coisa começou a desmoronar-se por todo o lado, e, na gloriosa América, que Bildeberg insiste, com somas colossais, que seja governada pelo seu emissário, Obama, que eu continuo a desejar, em cada minuto, que seja brutalmente derrotado, chegou ao ponto das "barracas" para os pardalinhos fazerem o ninho se terem desvalorizado 90% (!).

90% de nada é... nada.

Ora, aqui, começa o problema, porque se os bancos já só viviam da liquidez desses 4, 6 ou 7, ou 8 ou 10%, que o valham, passaram a viver de coisa nenhuma, porque sem esses escravos dos 50 anos, a injectar, mensalmente, o brutal esforço do seu trabalho, para alimentarem a máquina fictícia, passaram a viver de coisa nenhuma, ou seja, cada vez menos clientes, que se dirigissem ao balcão para pedir dinheiro, deles obteriam resposta positiva.

Não é por acaso que Monstros, como Ferreira Leite, outra que deveria estar presa pelos Militares, falam de "poupança"... Poupança de quê, para quem e com que sentido, senão o de alimentar o Alien que nos sufocou até ao fim, e que agora entrou na fase da antropofagia?...

Meus amigos, os Bancos começaram a devorar-se uns aos outros, e nós seremos os palitos com que os últimos tentarão limpar, dos dentes, o que restar, e, pelo que se entrevê, nada restará.

Vamos agora à parte negra: a "poupança", a que esses criminosos apelam, tem outros rostos mais difusos, e confusos, e foi por isso que eu, numa noite da passada semana, acordei em puro sobressalto, com o esquema clarissimamente delineado na cabeça. Há muito que, por portas travessas, a "poupança" é assegurada. Uma delas enveredou pela porta dos químicos e dos psicotrópicos e dos alucinogéneos: no momento em que um indivíduo se torna dependente de... substâncias, ele é como aquelas formigas batedoras, que fuçam por toda a parte, em busca de alimento. O alimento, aqui, é dinheiro, e esse dinheiro da Droga, alcançado através do roubo, do homicídio ou da escravatura de outros seres humanos, quer seja pelo tráfico dos corpos ou da prostituição, é um dos alimentos mais cobiçados pela Sereníssima Banca dos Engravatados. E acaba mesmo nesses balcões, que, rapidamente o branqueiam e fazem seguir em frente.

Branquear é preciso, não ter escrúpulos não é preciso.

Que seria do Sistema Financeiro, se a Droga subitamente passasse a valer NADA, e fosse assegurada por circuitos controlados e estaduais?...

Enetnede agora por que ninguém mexe no assunto?...

Ah, sim, eu já percebi, já se começou a sentir mal disposto, por isso, eu vou descer ainda ao mais negro...

Nunca achou estranho que, de repente, surgissem "estrelas" desportivas e culturais, enxames atrás de enxames de cristianos ronaldos, mourinhos, gatos fedorentos, sousas tavares e outros tantos nomes da mesma espécie, do nada, numa ascensão vertiginosa, cada vez mais novos e cada vez mais rápidos, como se de milagres se tratasse?... Pois também esses são tentáculos do Polvo, involuntárias "marionettes", cuja função é nula, excepto a de servirem de captadores de fundos, de gente que gasta os últimos cêntimos para presenciar pseudo-eventos, para comprar pseudo-sucessos, para, formiguinhas batedoras, captarem esse dinheiro vivo dos sorvedouros da Dona Branca Mundial.

Já reparou quanto patrocinadores, quantas companhias de seguros, quantos bancos não se alinham, por detrás das silhuetas desse Analfabetos do Volátil, como se de peças de ouro se tratasse?... Conte-os, e relacione-os. São hipóstases do Vazio, quer os actores, quer os cenários.

Eu sei que a ficção vai longa. Há noites em que pareço mais louco do que de costume. Esta é uma delas. Borges conta que foi assim que Milton escreveu "Paradise Lost", numa manhã, tentando apanhar cacos de um poema perfeito que a Noite lhe concedera, e a Manhã obnubilara. Eu perdi o texto quase inteiro. Deixo-vos aqui um pequeno fragmento para o completarem. Dá trabalho, mas será útil.

Boa Noite.